Let There Be Rock - Wikipedia. Let There Be Rock is an album by Australian hard rock band AC/DC. It was the band's third internationally released studio album and the fourth to be released in Australia. All songs were written by Angus Young, Malcolm Young and Bon Scott. It was originally released on 2. March 1. 97. 7 in Australia on the Albert Productions label.
A modified international edition was released on 2. July 1. 97. 7 on Atlantic Records. Recording. However, Atlantic Records in the United States had rejected the band's third album Dirty Deeds Done Dirt Cheap, feeling the production was not up to par, and the band, which had yet to tour America, returned to Albert Studios in Sydney to record another album.
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From the beginning, it appears they intended to make a statement, with guitarist Angus Young telling VH1's Behind the Music in 2. Let There Be Rock, on the other hand, was recorded in one go and represented a major evolution in the band's sound, with many critics and fans citing it as the first true AC/DC album. In his book Highway to Hell: The Life and Times of AC/DC Legend Bon Scott, author Clinton Walker observes, . The band had finally found itself.
According to Murray Engelheart's band memoir AC/DC: Maximum Rock & Roll, the album was completed in roughly a two- week time frame and featured a new approach to recording: Malcolm had noticed that some rock acts, particularly those on the American stadium circuit, had realized the power to be had in slightly longer songs and tapping into extended solos and general guitar hijinks.. American soft rock on the other - how rock and roll was really done was too much.. The studio set- up at Albert's was perfect for what was planned. All the amps were in the same room as the drums, which were positioned in the corner. The guitar sound spilt over into the vocal and drum microphones so a perfect precision recording was difficult, but that was part of the charm. The result was a sonic assault that was far beyond anything the band had produced before in the studio. The band replicates its live sound, with literally explosive results; as recounted in Clifton Walker's Highway to Hell, one of the most oft- repeated stories concerning AC/DC's studio methods emanates from these sessions: Angus' smoking amp during the recording of the title track.
As he was overdubbing the guitar solo, his amp began to fuse out and smoke began to fill the studio. George Young gestured wildly from behind the desk to keep going. Throughout that album, there are many guitar solos and many breaks. I really like some of them very much. I remember my brother, George, saying in the studio, 'C'mon Ang, let's get something different here'..
Let There Be Boys (1969) on IMDb: Taglines from original posters and video/DVD covers.
I had great deal of fun on that whole album. On the last track, I remember the amp blowing up at the end. I said, 'Hey, the speakers are going!' You could see it in the studio, there was all this smoke and sparks, and the valves were glowing. He kept yelling at me, 'Keep playing, keep playing!'. The song provides an encapsulated, fictionalized version of the history of rock 'n' roll. Building on a line from the Chuck Berry song .
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Following rock's birth, rock bands appeared everywhere, musicians found fame (while businesses made money off their efforts), and millions of people learned how to play electric guitar. The third and final verse speaks of a .
In addition, light is correctly introduced before sound, unlike on the studio version. After the final verse, the song ends with an extended solo by Angus, which consists mainly of fast picking, string bends, and hammer- ons.
Band biographer Jesse Fink describes the song as . This marked one of Williams' first public appearances with AC/DC. Scott was dressed as a priest and the rest of the band as altar boys, with Angus Young wearing a halo prop on his head. Towards the end of the video it shows Angus and the rest of the band jamming while he goes off on the guitar. In an alternate ending of the video, the colors are morphed and the camera zooms in on the stained glass window. When AC/DC was inducted into the Rock and Roll Hall of Fame in 2.
Scott's replacement Brian Johnson quoted the song . The song's first verse reveals Rosie's substantial physical measurements (4. On the Live from the Atlantic Studios disc, however, Scott describes the titular woman as . In 1. 99. 8, speaking to Vox magazine, Angus Young remembered: We'd been in Tasmania and after the show . He said he'd got about 1. Hey! Bon!' He looked around and saw this leg and thought: 'Oh well!' From what he said, there was this Rosie woman and a friend of hers.
They were plying him with drinks and Rosie said to him: 'This month I've slept with 2. Bon went: 'Oh yeah?!' Anyway, in the morning he said he woke up pinned against the wall, he said he opened one eye and saw her lean over to her friend and whisper: '2. There's very few people who'll go out and write a song about a big fat lady, but Bon said it was worthy. If anything, for 'Whole Lotta Rosie' we were looking for a feel like Little Richard, a good steamin' rock feel, and see what we could lay on top with the guitars. It evoked that, but you're just looking for the vibe, what's exciting, and that's what we were listening to.
Simple to put together, but still around like a classic. The lyrics equate a man overdosing on a woman like an addict would overdose on drugs, with Scott singing, . In 2. 01. 3, keyboardist John Bisset of Fraternity (Scott's band before AC/DC) told Uncut's Peter Watts . We got into marijuana, mescaline and mushrooms, but alcohol was the mainstay.. He drank heaps. He drank until he could barely stand.
But he always remained the same person. He'd had a problem or he'd had an OD very early on. It was just a dabble.. Bon made a bad decision. It was only one bad decision. From what I was led to believe and came to believe, it was a very, very isolated incident.
The band would perform the single frequently in concert, as well as the album tracks . It was subsequently replaced with a shortened version of the song . The cover for the international version also marked the first appearance of the band's now iconic logo, designed by Gerard Huerta. The photograph used for the cover was taken on 1.
March 1. 97. 7 at the Kursaal Ballroom, Southend, Essex, UK. The near- epic title track to what is widely regarded as the best Bon Scott- era album, the song is a holy testimony, bringing good news to all those who believe in the healing power of rock & roll - amen! Oh yeah, it also kicks unholy ass! LP was almost all killer. Scott sings 'Bad Boy Boogie' and 'Problem Child' like he's the enfant terrible.. Angus' solos are true white heat. This is a shortened version of the original, missing the reprise coda.
For the original vinyl release, in all markets other than the USA, Canada and Japan, . AC/DC - Bonfire (EMI).
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